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Bondage, or in other words, tying up, is the simplest type of sadomasochism. In French, sexual chaining is called “ligottage” (from the word ligotage - slavery or dependence). Many people believe that tying up a partner during sex is a very exciting thing, but they are afraid to try. And, by the way, for a man, looking at his charming captive causes an extraordinary surge of excitement, and for a woman, the inability to move can lead to a wonderful experience of obtaining a gradual orgasm.

How to tie up a girl correctly

So, let's figure out how to properly tie up a girl with a minimum of inconvenience and damage.

One of the bondage methods, which is commonly called “brothel”, involves tying all the girl’s legs and arms to each leg of the bed. It is best to place one or two pillows under the girl’s hips for greater comfort. This type of bondage does not require special dexterity, but for many, such an extended position does not allow them to reach the peak of pleasure. For this reason, there are other methods: spreading your legs and holding your hands tightly behind your back, tying them to a pole or chair, and so on.

Japanese is very popular sexual bondage method, which is called shibari. The targets of shibari are always young people beautiful girls, this practice is very popular in the art of photography. There are 2 types of shibari:

• Karada (the torso is tied with a cord in the form of a net);
• Shinju (a cord is tied around the chest, reminiscent of a rope bra).

The main points for bonding, which increases sexual desire:

• Wrists;
• Elbows (however, do not force them together behind the girl’s back, because you can break them);
• Ankles;
• Thumbs and toes;
• Soles of feet.
• How to tie

In terms of choosing the material that will be used for bondage, all lovers of hard and soft BDSM will act according to their taste: elastic bands, leather laces, scraps of clothing, soft rope, silk cords - anything will do. Some of the original subjects may use real straitjackets for added ambiance, so anything goes. Some will use rough chains, shackles or handcuffs, but in this case, of course, you need to make sure that the iron cannot cause infections or allergies to the skin. In addition, hard latches will not create the necessary compression, they are very uncomfortable to lie on, and in emergency cases they cannot always be opened quickly. You can even tie the girl up with a plaster or tape, but then it will be very unpleasant to peel off the adhesive tape from her.

Additional knitting

In addition to tying the legs, arms, breasts and ribcage, many proponents of hardcore sex may also blindfold their partner. But if a girl’s eyes can be blindfolded using any scarf that comes to hand, then you need to be very careful with your mouth. First, you need to take care of the cleanliness of what you plan to put in your captive's mouth. Under no circumstances should you rush to shove a rag soaked in pesticides or a rubber ball between her teeth that has been somewhere unknown before. Only practical and clean! Secondly, you should not completely deprive the girl of the opportunity to speak; the girl should always have the opportunity to give a sign if something went wrong. Let it be, for example, a triple knock with a free fist, or moaning or grunting using Morse code, but the conventional sign should always be there. Also, never tie anything around your neck, even if she asks you to do so. If she wants it so badly, then lightly strangle her with your hand, but there shouldn’t be any cords around her neck!

If we talk about hanging a tied up girl, then only real BDSM masters do this. Correctly fix your partner, and then also lift her on hooks or some other device in such a way that there is no danger to the limbs or organs - you need to learn this. Also, for your own safety, you should not practice this BDSM method with unfamiliar people or with someone who is drunk. You should also not leave your partner for more than 20 minutes.

If you want to see clearly, how to tie a woman, video showing a master class on how to do this will give you this opportunity.

http://youtu.be/u1pFgV90v9A

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In the life of each of us there are different situations, sometimes very non-standard. In such cases, we require special skills and abilities. If you have them, then the guarantee that you will cope with some unusual task is much higher.

One of these abilities is the knowledge of how to tie your hands with a belt and the ability to put it into practice.

Why do we need this?

Imagine this case: you are calmly walking down the street and suddenly you see that not far from you there is a robbery going on! Some impressively sized scoundrel takes a handbag from a defenseless girl and runs away with his prey... But that was not the case, because you ran across the criminal, caught up with him and knocked him to the ground with an accurate strong blow to the back. The scoundrel is neutralized, the purse is returned to the frightened victim, all that remains is to call the police and take the thief straight to the police station. But how can you deal with such a big guy before law enforcement arrives, how can you keep him in place so that he doesn’t run away and decide to try his luck elsewhere? You just need to fix his hands.

Of course, such situations are quite rare, fortunately for us, they happen in real life. But even if you meet an ordinary hooligan painting the walls of a library, encounter a drunken rowdy breaking the windows of a store, or see an inadequate bully tripping passers-by, then such an ability as tying your hands with a belt will not be superfluous. To do this, so to speak, in field conditions possible using improvised means. Tying your hands correctly with a belt is not an easy task, therefore, in order to be ready to apply knowledge in practice, you must first practice.

The mysterious word "shibari"

It is not at all necessary to immediately try to knit malicious robbers. After all, binding can be applied in other areas of our lives, much more peaceful and pleasant. This practice, for example, will help diversify your sex life.

The Japanese ancient art of bondage, which is called “shibari”, or “sibari” in a different manner, is already known almost all over the world. Initially, it was used to limit the prisoner’s mobility, but then migrated to intimate life. Shibari is now one of the key techniques for fixing a partner’s body with the help of ropes and bandages. This technique is not only aesthetic in nature, but also meditative. Thanks to bonding during sexual intimacy, both partners can experience completely new emotions, discover new feelings in themselves, and it also promotes rapprochement, because it requires maximum trust in each other.

In order to become a shibari master and masterfully knit the most intricate knots, no doubt, you will need time and practice, but simply fixing, for example, your partner’s hands, there should be no problems. How to tie a girl's hands with a belt, read on.

About belts

For whatever purposes you use the knowledge of how to tie your hands with a belt, you need to know which belt is best to use. First, let's talk about the material. There are nylon straps; It’s better to forget about them if you don’t want to damage the skin of the person being tied, besides, synthetic materials have another significant drawback: products made of nylon, be it a rope or a belt, slip a lot, this will complicate the process of tying a knot. An artificial leather belt will cope with the task much better, however, it may not be elastic and flexible enough, and after the procedure, creases may form on such a belt, which subsequently precludes the use of the accessory for its intended purpose. As you may have guessed, the best option is a belt made of genuine leather: it is quite soft and will not leave marks on the body, elastic and flexible, thanks to which it can easily be bent and tied into the necessary knot, genuine leather is a fairly wear-resistant material, so a product made from it will serve you well long no matter how you use it.

How to tie your hands with a belt? Instructions

The goal has been set, the belt has been chosen, now you can safely move on to practice. There are several ways to tie a person's hands with a belt. We will look at the simplest, but no less effective. A person whose wrists are fixed in this way will have to try very hard to free his hands.

Start by folding the belt in half so that the end forms a loop. Then thread the last one through the buckle. Now straighten the loop inside, a double ring should form, into which the hands of the person being tied should be placed. After this, you just need to pull the free end of the belt above the buckle. Makeshift handcuffs will tighten around your wrists. To secure this position, you can either hold the belt tightly by its free end, or wrap it between your hands and insert it under the loop.

Another way

You can also make something like handcuffs from a belt. To do this, insert the belt into the buckle as if you were fastening a belt on trousers. Tighten to form a loop slightly larger than your wrist; the person being tied’s hand should fit into this loop. This is the first ring of our handcuffs.

Bend the remaining end into a figure eight, as you see in the photo below, thread the end into the buckle again, but on the other side.

Now make a circle with the belt around the resulting figure eight and thread the belt through the buckle again.

Hands are inserted into the holes and the end of the strap is pulled until the strap is tightly wrapped around the wrists of the person being tied. This belt can be fastened to another, then you get something like a leash, or tied to something static (for example, to a pole). You can also make a locking knot to make it impossible to free your hands.

Precautionary measures

Don't forget that even if you know how to tie someone's hands with a belt, and know how to do it so that the person will never get free, there are safety precautions. They should be especially remembered by those who use binding not for the purpose of neutralizing inadequate person, but for the sake of some kind of game with a friend who would not want to be injured.

The belt may cause burns if its edges rub against your skin. To prevent this, it is necessary to tighten the handcuffs tightly enough so that they do not dangle on the wrists. However, you shouldn’t overdo it, because if you squeeze the blood vessels on your hands, you can disrupt the blood flow. For the same reason, you should not leave handcuffs on your hands for too long.

Using the simplest means at hand, you can tie your hands and/or feet in a matter of minutes. The main thing is to always remember about possible risks and never try to tie yourself up if there is even the slightest threat to your life and health!

We bind ourselves with tape

Strong adhesive tape is great for tying. You don't have to think about how to fix the end, and the tape won't leave bruises or scratches on the skin.

1. Before tying yourself with tape, it is better to wrap your arms/legs with cloth, otherwise removing the tape stuck to your skin will be extremely painful.
2. Find some kind of holder on which you can place the spool of tape for convenience. For example, this could be a large towel hook or a door handle. You can also simply clamp the coil with the door.
3. Place your hands together, glue the tip of the tape to your hand and then wrap the tape around yourself with circular movements of your hands.

We tie ourselves up with a rope

This option will be somewhat more complicated, since you will be faced with the issue of tightening the knot securing the rope at the end. However, after a few practices, you will be able to do this without difficulty.

Instead of rope, you can use strong shoe laces, a jump rope, and even thin but strong wires from household appliances.

We bind ourselves with a belt

A regular trouser belt can be a good alternative to rope. He must be not too wide and tight, otherwise it will be difficult to fix the tip tightly.

1. Fold the belt in half. At the bend, we thread the belt into the buckle so that the tip remains outside.
2. We put our hands into this double loop and use our teeth to tighten it, achieving the tightest possible fit of the belt to the hands/legs. The end of the belt can be fixed by threading it through the loop between the arms/legs, but, in principle, if you tighten the loop tightly, you can leave the end free - it will still be difficult to free yourself.

Instead of a trouser belt, you can use any other belts that have an eyelet buckle - belts from bags, cameras, dog leashes, etc.

We tie ourselves together with a tie

If suddenly none of the above is found in the house, then an ordinary tie or a ribbon of strong fabric knitted in its likeness can come to the rescue.

Place your hands through the loop of the tie. Tighten the ends by clamping them with your feet, teeth, or pre-fixing them with door handle or on any other convenient holder. Tuck the ends into the loop between the limbs.

How will you free yourself?

When thinking about how to properly tie yourself up, don’t forget to think about how you will remove the bonds from yourself. For example, prepare in advance some sharp objects that can be used to cut the knot. Remember to tie yourself so that even with your hands and/or feet tied, you can get rid of the knot!

Japanese art of bondage

Sibari((Japanese: 縛る shibaru) - bind, tie; seize, arrest. (Japanese: 縛り sibari) 　 - verbal noun) is the Japanese art of aesthetic bondage. In practice, ropes are mainly used. Distinctive features are the increased complexity and aesthetics of the harnesses. (Wikipedia)

This is the view artistic creativity, the essence of which is to create compositions from the human body and ropes. There are, for example, artists - they work with canvas, paints, etc. There are sculptors, their materials are marble, granite, clay, and so on. There are people who do body art. These people use paints for their creations, but instead of canvas, they use the human body. And people who practice shibari use the body and ropes.

IN first of all, it's beautiful. IN secondly, for the person being linked - this is healing effect: this is a massage, and removal of salts from joints, and general increase mood and performance. IN thirdly, there is a psychotherapeutic effect. IN fourth, elements of shibari help many people diversify their sex life.

There are photographers and photo artists who use shibari elements in their works. There are people who are only interested in the sexual aspect.

Story.

It's obvious that shibari, as an erotic art, grew out of the hojojutsu system - the martial art of capturing a defeated enemy, criminals and prisoners. The immobilization technique was developed in such a way that the captive could not move from his place or move his limbs without causing himself a painful effect - a kind of Feedback in the body-rope system. This could be either strangulation or impact on the nerve endings or joints of the captive. A prisoner, for example, could walk, but could not use a weapon, or could sit, but was not able to move independently.

Almost all oriental medicine is based on influencing active points of the body. There is also a purely military application of medical knowledge. The technique made it possible to shackle a person with the simplest material available in the field - a rope, cord or belt.

Since in the heat of battle it was necessary to quickly “fix” the enemy, hojojutsu was faced with three tasks: applying the rope should be simple in execution and fast in speed; ensuring a minimum of mobility or complete immobilization of the enemy; preserving the life of a defeated person in order to deliver him to his master.

Like any school of martial art, hojojutsu had different directions and styles. Each master had his own special distinctive methods of knitting knots, a pattern of applying turns to the body, the position of the limbs during fixation, by which he could be identified, and also understand who the tied one was: a nobleman, a warrior, a peasant or a robber.

Japanese culture practically does not know buttons, and therefore all national clothing for both men and women is based on belts and cords. It can be said that every Japanese person engages in self-bonding. Particularly indicative in this regard is the obi - a woman's belt on a kimono, tied in a fancy knot. There is a legend that an obi can be tied in a thousand ways. The shape of the obi's bow varies depending on the status of the lady and her social status. The obi can be casual, festive or ceremonial. The process of tying the obi itself constitutes a whole ritual.

Shibari is precisely an art. Here the layout of the fixation picture comes to the fore - posture, position of the arms, legs, head. Great energy is hidden in the static forms of shibari paintings. The rope forms the backbone of the picture - it gives rigidity to the structure and at the same time emphasizes that its presence here is purely symbolic.

Shibari can be compared to ikebana - creating a flower arrangement from a minimum of elements. In addition, ikebana can serve as an alternative form of shibari when you need to collect best sides models, cutting off secondary and unnecessary parts of the overall surroundings, focusing attention on the main motive of the composition. The process of creating a binding in shibari also prompts comparison with ikebana - excess stems and leaves are torn off, cut off - arms or legs are “wrung” or brought into a certain position, the main line of the flower arrangement is formed - the model’s body is fixed or placed in a certain position using ropes or harnesses, the details of the composition are worked out, the weaves of the rope are assembled into a pattern, the knots focus the attention of not only the observer, but also the model herself.

It is believed that the nodes affect certain points of the body (erogenous, biologically active). The knot not only connects two pieces of rope, but also creates a rhythm in the binding pattern. Pull the rope into a straight line - a straight line, what's wrong with it? Roll it up, tie a couple of knots, even simple ones, and your gaze will slide along the bends of the rope, trying to “squeeze” through the knots and weaves. The observer’s gaze seems to “get stuck” and drown in the harness. Why not meditation in miniature? From the simple, the complex is created, and with minimal costs. A knot is a puzzle that you want to solve. And a beautiful knot is a beautiful puzzle. The number and variety of knots creates a certain atmosphere in the perception of a shibari picture, but everything should be in moderation.

If carefully followed safety rules and recommendations set out in this section, shibari and health for the person being tied are, one might say, twin brothers. While the harness is being applied to the body, as well as while you are in it, the turns of the rope act like the hands of a massage therapist. As a result, blood and lymph flow in the skin and muscles is activated, and waste products are more intensively removed from the cells. The brain, which receives an incredible number of different signals from receptors in the skin, muscles and joints, processes sensations that modern urban people have missed since adolescence. The feeling after removing the ropes is like after a good dose of physical exercise.

With systematic exercise, the person being tied increases joint mobility, skin elasticity, and muscle elasticity. Drowsiness, irritability and gloominess inherent in a tired psyche pass and give way to cheerfulness and determination.

The life-giving power of correctly performed harnesses is evidenced by the fact that after performing them on a deeply hungover young man his health improved, and the symptoms of withdrawal syndrome disappeared (there are several witnesses)! ;)

Don’t forget about safety - and your health will improve and delight you!

The safest and most ethical photos.

Distinctive features

Sibari as a type of bondage is characterized by the following distinctive features:

Increased aesthetics of the harnesses, focusing on visual perception. When developing and performing bindings, special attention is paid to the anatomical structure of the bonded object. In the vast majority of cases, non-painful binding is used. Shibari mainly uses ropes. In most cases, shibari bindings are highly complex, require special skills from the performer and take a lot of time to complete. A number of harnesses (especially hanging) require the performer to be extremely careful and pay attention to the partner. Some shibari strapping karada- torso harness in the form of a mesh. shinju- a chest harness that resembles a rope bra.

Hands behind back and knuckles

To properly tie your hands behind your back, you should take into account and use some features of human anatomy. In particular, the shape of the spine and the position of the arm joints relative to it.

As is known from anatomy, the human spine is not straight, but has several curves, as can be seen from the following photograph: Let me clarify that what is visible is not the direct curves of the spine, but the shape of the body that is inherent in a person due to these curves. It is noticeable that in the chest area the spine bends outward towards the back, and in the lumbar area it bends towards the abdomen. This photo also shows that with this position of the hands, the elbow joint is exactly at the level of the lumbar curve. And one more noticeable important thing is that the shoulder joint and the area of ​​the spine in the area of ​​the lumbar curve are almost on the same vertical.

Two more (extreme) positions of the hands behind the back are possible. The first is when the elbows are bent as much as possible and the palms are in the area of ​​the shoulder blades. Second, the elbows are straight, the palms are at the level of the buttocks. This is what it looks like:

These positions already create a load on the elbow and shoulder joints; when performing harnesses, a larger number of fixing turns is necessary. In addition, not all people are able to place their hands in this way; an unfamiliar person may experience pain. On such people it is not worth performing harnesses with these hand positions. And if you still want to, first do gymnastics for a few weeks.

All other symmetrical positions of the hands behind the back represent intermediate stages between these two. Somewhere in between the two lies the most anatomically preferred position. Positions for binding are selected taking into account the conditions of the joints - the less mobile and trained they are, the smaller the deviation from the average intermediate position is allowed.

Hand tying

There are several ways to tie your hands together in front of your body; the main ones can be easily found using the links in the “What can be found on the Internet” part of this section. I'll suggest one more. Strictly speaking, this method is not authentic, but rather the use of the right node for the right purpose and under the right conditions.

The knot on which this method is based is called the “stirrup”. Its choice is due to the fact that, firstly, it is easy to tie (even with one hand), and secondly, in one position of the ropes it is non-tightening (which is fundamentally important), and in another it can be quickly adjusted to the desired diameter and tension. The knot is widely used in mountaineering to secure ropes and create support loops - and climbers do not use unreliable and untested knots.

The next two pictures show the canonical patterns for tying a stirrup on a single rope. With two hands:

And with one hand:

If the ropes coming from the loop of this knot run parallel to each other, then the loop does not tighten under load. If these ropes are pulled apart in different directions, you can adjust the size of the loop.

After the tension is adjusted, it is necessary to secure the knot by making several special simple knots around the long one with the short free end:

All is ready.

There are always two ways to check the absence of irregularities in any freshly made harness not under load. Firstly, it must look beautiful. If it looks ugly, it means it was made incorrectly. The point here is not about aesthetics and a sense of beauty. An unsightly harness has rope overlaps, turns of different tensions, and incorrectly tied knots. All this can lead to improper distribution of the load on the partner's body - and this leads to injury. Secondly, it should not cause unpleasant or painful sensations to the partner (for example, be pulled too tight). Here, I believe, no comments are required.

Introduction

What prompted me to start writing this manual were numerous questions: “How is this done?” from acquaintances and friends.
It would seem that answering such a question is as simple as shelling pears: just take it and show it. Well, I showed it. I don't feel sorry, look at your health. And along the way, he also explained how this harness is knitted, why such a knot is appropriate here, and why all this is needed in general.
But, as it turned out, demonstrations and explanations are completely insufficient, because when I show, people look not at the technique, not at the materials, not at the location of the units, but at everything at once. Because it’s beautiful for them to look at. And the results of the demonstration turn out to be “Cool!”, “We want that too!” and “How is this done anyway?”
In short, I thought and thought and decided to write a guide, not a guide, but at least a collection of tips. So that anyone can look into it when something doesn’t work out for him, and make sure that he’s not the only one who doesn’t succeed. And that he is not the only one who is cross-armed, or crooked-eyed, or generally mentally retarded. I won’t tell you what epithets I rewarded myself with while I was learning to tie. Let them remain my secret and protected by my copyright, and you can invent them for yourself.

So let's get started.
What are we even talking about here?
If you are reading these lines, then most likely you have an idea of ​​what bondage is. And also about what Japanese bondage is, or shibari. If the words “bondage” and “shibari” are unfamiliar to you, then it is better to close this manual. It will teach you bad things and plunge you into the perverted abyss of sadomasochism.
Yes, yes, exactly sadomasochism. Because bondage is a sadomasochistic practice. Bondage refers to restriction of mobility in general and tying up in particular. Depending on how mobility is limited, bondage is divided into steel bondage and rope bondage.
Steel bondage (from English. steel-bondage) - these are handcuffs, shackles, chains, cages and other cute paraphernalia of penitentiary institutions.
Rope bondage (from rope-bondage), or rope bondage, is carried out, as the name implies, with the help of ropes. Or some rope. Or ropes, or laces, or bandages, or decorative ribbons. In a word, with the help of such things that can be tied into knots, knots and knots.
There is also bondage using stocks (the kind of pieces of wood that Uncle Tom used in his hut), or using cling film, or using plaster. These are all also types of bondage, since all these entertainments are associated with limited mobility. They are called differently, but this is not important in this tutorial. Let someone who directly practices them tell you about them. He will do much better than me.
And further. Restricting one's mobility through a blow to the head is not bondage. This is, at best, hooliganism, and at worst, causing grievous bodily harm.

In general, what bondage is has become clear. At least that's what I hope. What is shibari?
Shibari is proper name one of the subtypes of rope bondage. This name came from Japan, where, in fact, this type of bondage originates. In other words, shibari is bondage in Japanese.
In order to knit shibari, it is not at all necessary to speak Japanese, or practice bondage in a kimono, or make narrow eyes with your fingers, or wear a bandage with the hieroglyph “zeal” on your forehead. Japanese bondage differs from um... how should I say... from European bondage in several very characteristic features.

The first feature is that Japanese bondage is very decorative. It doesn’t matter whether you tie up a person in order to perform some perverted actions on him, or in order to straighten his posture, or so that he lies beautifully in the corner, creating your interior. Regardless of the purpose of tying, shibari looks decorative. Or, to put it really crudely, shibari looks very neat.
Comparing examples of shibari and European bondage, one gets the impression that the European was in a hurry to get somewhere. The rope is wound somehow, the limbs are tied to anything, and in general everything looks like it was done while running between the office and the gym. The European is not interested in how he connects. He wonders why he is doing this, why he is doing this, and how long it will all take, because he has an important meeting to attend any minute.
The Japanese are in no hurry. It just so happens that this is generally a characteristic Japanese trait. The Japanese are always interested in how exactly he does this or that thing. That’s why even a Japanese man’s tied shoelaces look like a professional one. design work. And if you consider that since ancient times the Japanese have used laces, ropes and ties wherever possible: In general, you can imagine what exactly the Japanese can do with tying. Looking at Japanese bondage, it is clear that the person who knitted these bindings put not only his hands and imagination into the work, but also a remarkable aesthetic sense. It is clear that this man was in no hurry. That every turn was placed deliberately, that not a single knot was tied just like that.
However, it is quite possible that I am idealizing the Japanese. I’m probably even idealizing. After all, it can’t be that they know some Great Secret that is inaccessible to us, right? In any case, we will try to figure out this Great Mystery and learn to tie as aesthetically, slowly and deliberately as the true sons of Yamato.

The second feature of Japanese bondage is formalized somewhat more clearly. This is no longer an ephemeral aesthetics or a realm of subjective sensations. The second feature is that in Japanese bondage a person becomes attached to himself.
Do you know what I mean?
In Japanese bondage, you won't see cross-bondage on the bed, with each arm and leg tied to a different corner. In shibari, a person is not stretched in different directions, but, on the contrary, gathered into a heap. The arms and legs are fixed first to each other, and then to the torso. Or, if there are reasons to leave the legs separately (and such reasons, you see, sometimes arise), then only the arms are tied to each other, but the legs are still fixed to the torso in one way or another. Of course, this rule does not always work, but in the vast majority of cases. Do you know why? Try to guess: the clue is hidden in this paragraph.
Did you guess it? That's right: the Japanese don't have beds. More precisely, it already exists now, but the traditions from which shibari was born developed long before Japan began to Europeanize.
Traditional Japanese interiors, by our standards, are very sparse and at the same time very functional. What can you tie a person to in a room in which there are only walls, screens, small table, mats, and a portable brazier? To nothing. Only to yourself. And it’s the same outside the living space. Why bother with some kind of poles when you can tie your hands behind your back, and tie your legs folded cross-legged at the ankles, for example, to a belt? All you need is a good piece of rope. That's all.

The third feature of Japanese bondage echoes the first. Shibari bindings are always knitted in such a way as to emphasize the sexuality of the model. The harness may outline the genitals. Or stick out your chest. Or a person may be tied up in a deliberately erotic position. In any case, Japanese calling is characterized by the fact that, in addition to functionality and aesthetics, it is highly eroticized. Have you forgotten that shibari is erotic bondage? Oh yes. I haven't said this yet. So: shibari is erotic bondage. Make a special note in your notes: if the model does not excite you, then it is better to find another model. Although, perhaps, you will be the one who will be able to create an amazing erotic composition with the participation of a person to whom you are indifferent.
Maybe.
But I hope you will forgive me if I say that I have very little faith in this.

So how? Did I manage to give you the impression that shibari is very difficult, and generally not for average minds? I’ll tell you a secret: this is exactly what I was striving for. In this way I am trying to demonstrate to you my superiority. Because I'm a genius. And the art of Japanese bondage is accessible only to geniuses, while others should look at us with genuine admiration and respect. We must bow before us and give us praise, and give us all kinds of honors, and...

Do you think this is a joke?
You're right. It's a joke.
In fact, there is nothing particularly complicated about shibari. If you want and have some persistence, you can learn all this without any help. And even more so with benefits. I'll tell you a secret, I learned this way myself. Completely on my own, looking at photos posted on the Internet from various bondage sites. Strictly speaking, what I do cannot be called shibari. I did not adopt any special traditions, I was not taught by the Masters of the Rope. But somehow it happened that I connect and people who see it call my work shibari. Perhaps I work in some special tradition, but I don’t know it myself. Moreover, if they suddenly tell me that my works are traditional, I will be no less surprised than Moliere’s hero who learned that he had been speaking in prose all his life. I simply copied the bindings that I saw in different places, and over time I learned to do my own thing. In short, my works cannot be called shibari, but it is difficult to call them anything else. Therefore, let's pretend that we are real Japanese, which means that whatever we twist with the help of ropes, it will be a real Japanese bondage. Do you agree? And for this, at the end of the manual, I will provide a list of Internet resources that helped me learn what I am going to tell you about.

If you haven't changed your mind yet, then...
Go!
(and waved his hand)

Rope bondage for beginners
Theory

In this section I will talk about safety precautions, ropes, why they are needed, and other similar things. I strongly recommend that you read this section before approaching a living person with a rope in your hands and a sparkle in your eyes.

Rope bondage for beginners
Ropes

The first, main, and, in general, the only tool of a bondage artist is a rope. Well, in fact, this is not the only tool. There are also hands, head and imagination. But we don’t choose our fantasy - it either exists or it doesn’t - but we are quite capable of choosing the rope that suits us personally.
By the way, a small remark to the side. From now on, I will refer to bondage artists not as bondage artists in general, but as those who do Japanese rope bondage in particular. Because it's more convenient.
So, I’ll try to tell you about ropes, what they are like, what they must be and what they should not be.

First, a little history. Apparently, people knew how to use ropes back in the Neolithic. In any case, in Finland, the most ancient nodes dating back to this period were discovered. I don’t know where and who kept them, and why no one unraveled them after so much time, but the fact remains a fact.
True, in those distant times there was no nylon, no nylon, or even Bolognese raincoats. That's why our ancestors used ropes made of natural materials. Made from hemp, flax, wool. In general, from everything that could be taken apart into long flexible fibers and then twisted or woven. Some even managed to make ropes from their own hair, as the Brothers Grimm authoritatively told us about. Of course, if our ancestors had been able to make monomolecular threads, then they would not have needed to weave or twist ropes.
But they couldn't.

Four conclusions can be drawn from all this.

Conclusion one: ropes can be made from synthetic materials and natural ones.
Conclusion two: ropes can be braided or twisted.
Conclusion three: a rope left to itself, once it is twisted or braided, can easily unwind or unravel.
Conclusion four: humanity did not originate from aliens, because otherwise we would have been using monomolecular threads long ago. Even in the Neolithic.

Natural materials are anything that can be collected, cut, peeled, or simply grown in nature. Something like: hemp, flax, wool, bast of some tree species, straw, cotton, even asbestos. Human imagination in relation to the use of various available materials is inexhaustible.
Synthetic materials are what current clothing is made from and, I personally suspect, some food. In any case, if you compare the taste of nylon rope and a bun from a standard railway lunch... However, I digress.
So, synthetic ropes are made mainly from nylon and polypropylene. It is not entirely clear why, with all the power of modern science and technology, only these two are used to make synthetic ropes synthetic material. I don’t think that all other types go to railway canteens. Although you can expect anything from these railway workers.

Several important qualities for us (bondage artists) depend on the material from which the rope is made. We open our notes and write.
The three most important qualities, in my opinion, are strength, stretchability and slipperiness. That is, how much load the rope can withstand, how much it can stretch and how well it holds the knots.
Everything is clear with the load. I think few people will be happy if, at the most inopportune moment, your bottom, carefully tied to the wall, suddenly breaks out, without being able to substitute his fixed arms or legs. Therefore, it is necessary to closely monitor permissible load on the rope. When selling a rope, its breaking and stretching limits are always indicated. These are different types of strength. That is, the same rope can support a load under a static load, but if the same load is jerked, it will break. For us, tensile strength is more important, since the loads during bondage are static. But it’s still better to be safe than sorry and get ropes with high performance both tensile and tensile strength. Don’t be lazy to ask the seller what load it can withstand.
In addition, you must always keep in mind that a rope made of natural material can change its properties over time. If not properly cared for, it can simply rot and tear with a slight tug.
Synthetic ropes are more durable and less sensitive to storage conditions. But. They have a couple of not very pleasant features. First of all, they stretch. This means that when working with synthetic rope, it will be difficult for you to control the degree of its tension. Secondly, synthetics do not hold knots very well. Under load, knots on synthetics tend to slip and come undone.
Natural ropes, on the contrary, do not have these disadvantages. They don’t stretch and the knots hold well, but they require some care. They are especially afraid of rotting, and therefore they must be thoroughly dried after exposure to water and stored in dry places. By the way, even if you are not inclined to maintain hygiene, it is still worth at least drying natural ropes thoroughly after the session. Because your model’s sweat is a liquid no worse than others, and even organic. Anyone who has ever seen an unwashed homeless person knows what rotting organic matter can do. So it’s better to periodically put the ropes in the wash.
Natural ropes can also be further processed, which I will talk about in more detail a little later.

According to the method of making ropes, as I have already said, they are divided into braided and twisted. The difference between them is noticeable to the naked eye. Twisted ropes are made by twisting several strands, while braided ropes are made by interlacing. Traditionally, shibari uses twisted ropes made from natural materials, but this is not a dogma.
It cannot be said unequivocally that some important qualities of the rope depend on the manufacturing method. But, according to my observations, braided ropes often turn out to be less flexible than twisted ones. In fairness, it should be noted that I have never owned ropes made different ways from the same material. It so happened that the braided ropes that fell into my hands were synthetic, and the twisted ones were natural. Perhaps this is precisely the point.

Regardless of how the rope was made, it always strives to disassemble itself into its components in the same way. It unravels at the ends. To prevent this from happening, the ends must be processed. Even if you like shaggy tassels. We are learning how to tie, and not use furry tassels.
The ends can be treated in different ways to prevent self-dissolution. The easiest way in this regard is synthetics. It is enough to slightly melt the ends of a synthetic rope over a fire and they will no longer unravel. But it must be said that this method, although simple, still has a significant drawback: the melted synthetic becomes hard and with such a hard tip you can scratch your model. And not everyone likes this.
To avoid such sabotage, you can process the melted ends with a file, or you can do something completely different. If you decide to go with synthetics, then you can be consistent to the end and fix the ends not with fusible, but, for example, with tape. This is also a fairly simple method: just wrap the rope with tape in the place where you are going to cut it and cut right in the center of the wrap. As a result, you will have two ends secured with tape. This method is also convenient because, using tape of different colors, you can mark pieces of rope of different lengths. Later you will see that this is very convenient.

If you decide to give preference to natural materials, then adhesive tape will no longer work. And not at all for reasons of quality. The fact is that since we will be knitting shibari, and shibari is by definition aesthetic, we should take care of the unity of style in advance. So we will process natural ropes using the same natural methods. So far I only know one good way processing the ends of natural rope. Sheathing.
If you've ever held a needle in your hands, the sheathing won't give you any trouble. Sew the rope through a couple of times, one and a half to two centimeters from the edge. This will be enough to secure the thread. Then wind the thread tightly, turn by turn, towards the end of the rope. A centimeter winding is quite enough. Sew the rope all the way through at the end of the wrap again, and then make two or three large stitches across the entire wrap. This will prevent it from unraveling. All.
This method is also convenient because, using multi-colored threads, you can mark your ropes.
Several times I heard that there are ways to braid the ends of ropes without resorting to additional means. But these methods are unknown to me. If anyone knows them and can teach them to me, I will be only glad.

I have already mentioned twice color coding. What is it for?
The fact is that shibari uses ropes of different lengths. For example, two to three meter lengths are convenient for tying arms and legs. And also, if somewhere you don’t have enough length of rope, you can add it with such a three-meter piece. Five or six three-meter sections on the farm will be quite enough. Or let there be seven or eight of them, so that there will certainly be more than enough for everything you come up with.
Pieces eight to twelve meters long are used for binding the chest and hips. Or for combined harnesses. You will need three or four such segments. And sections from twelve to fifteen meters are intended for harnesses covering the entire body. You only need a couple of them.
So, in order to select the piece you need from a tangled pile, it’s a good idea to mark the ropes with a color depending on their length.

There is another way out. You can not mark anything, but simply store the ropes in such a way that nothing gets tangled. It is convenient to fold short pieces in two to four times and tie them with a knot in the middle.
It is better to twist longer pieces into a ring and tie this ring at one of the ends, creating a loop through which it is convenient to hang such a twist on a hook, or on a nail, or on something else on which you will store your ropes.
Of course, if you are a very neat person, then no one will forbid you to mark the ropes and keep them in perfect order. This will be best since shibari requires precision. But, on the other hand, Zen teaches not to focus too much on form, giving preference to content. In other words, do whatever you want, as long as it helps you knit well.

Since we are talking about dimensions, it’s time to talk about the most common thicknesses used in shibari.
The most common rope thickness is six to eight millimeters. A thinner rope, firstly, looks rather pathetic, and, secondly, it simply cuts into the model’s body more strongly. Of course, if you set a goal to decorate your model with a mesh a la meat nut, then your choice is a four-millimeter rope. But it's better to use it for tying hair and the like. fine workmanship.
A thicker ten-millimeter rope is used where it is necessary to distribute a heavy load as much as possible. For example, when hanging.
In total, at the initial stage you will need five to six three-meter pieces, three to four twelve-meter pieces and one fifteen meters long. Six to eight millimeters thick. It is best that these are pieces of the same rope. As you can imagine, a harness that is half synthetic and half hemp will look somewhat eclectic.

Personally, I use jute eight and am quite happy with it. Several reasons influenced the choice of material. Firstly, jute looks quite authentic when knitting shibari. It would be even better to use natural hemp, but, by the way, hemp is nothing more than hemp. That's why it (hemp) is so difficult to find. Apparently, drug addicts smoke the ropes to ashes on the way from the manufacturer to the store.
Secondly, jute is a rough material. Therefore, ropes made from it are more bitey than from other materials. My models love it.
Well, and thirdly, having accidentally acquired sixty meters of jute, I decided that good is not good and I settled on it. And, although since then I have come into my hands with ropes made from a variety of, often quite exotic, materials, now it is a matter of habit. I'm used to my ropes. We've already done quite a lot of things together.

By the way, ropes made from natural materials can be further processed to give them more specific properties. In particular, natural hemp or jute is often recommended for depilation. Jokes aside. Remove excess hard lint from them. This is best done with fire. Take your fuzzy rope and scorch it over the fire like a chicken. From a shaggy rope you will get a bald one.
Or natural ropes can be boiled to give them additional softness. The recipe for such a brew varies with each source, but everyone agrees that at the very end the rope should be rinsed for a couple of hours in fabric softener. Personally, I once tried using just mouthwash. The result was exactly the same as after three hours of cooking followed by rinsing.
In short, choose for yourself how you abuse your ropes. All I did with my working jute was just pick out all sorts of debris and splinters from it. I strongly advise you to do the same.

Overall, this chapter does not contain much information that a bondage artist will truly need. I just need to fill out the manual with something to make it a substantial size, and this optional information can help you show off your erudition on occasion. But in the next chapter I promise to be extremely serious.

Rope bondage for beginners
Safety precautions

Not a single manual can do without such a chapter. Even the manual “Sex for Dummies”. And this is completely justified. God forbid, when someone starts studying sex from a book, he reads something wrong, or thinks wrongly and points in the wrong direction. For example, in the eye. I feel sorry for the people.
Although if I were Doctor Evil, I would definitely flood bookstores with various manuals without a section on safety precautions.
Luckily, I'm not Dr. Evil.

A bondage session includes three potentially dangerous elements. Firstly, the actual effect of the ropes. If you remember that people were executed more than once with the help of a rope, you can understand that this instrument is quite dangerous.
Secondly, in a bondage session you are dealing with a helpless person. The one who is knitted remembers this constantly. But the one who knits can forget about it. But we must not forget about this under any circumstances.
Thirdly, bondage often leads the lower one into a state of subspace. This is the name for an altered state of consciousness achieved through sadomasochistic practices. On the one hand - well, subspace - and subspace. A person meditates for himself slowly, what could be dangerous about this? Meanwhile, danger may lurk here too. Let us remember the television healers of the beginning of perestroika. Have you seen how people at their sessions began to involuntarily wave their arms, turn their heads and generally do various things? The key word here is: involuntary. You can never say in advance what exactly the subconscious will throw out when a person is in an altered state of consciousness. This is why subspace is potentially dangerous.
In total, safety precautions for rope bondage can be divided into three main groups. Safety when exposed to ropes, safety for an immobilized person and safety in an altered state of consciousness.

In this chapter I will give a list of rules that you must follow if you want to be cheerful and healthy, and not sad and sick. I will give some of these rules in detail for better memorability, and some briefly, since I think they are obvious. Additionally, I expect you to be familiar with the basics of human anatomy. Otherwise, put this manual aside and pick up an anatomical atlas. It contains a lot of interesting and useful information in addition to the female genitourinary system.

Safety when exposed to ropes.
Rule one.
Never, under any circumstances, allow the rope to wrap around the bottom's neck. Do not place the rope across your neck even if you are sure there will be no load on it. And if you think that a loose rope is safer than tight coils, still don’t put the rope across your neck. It only takes a few seconds to clamp the carotid artery. Let's add a few more seconds to this, during which the brain of your lower one will not receive oxygen, and we will get the output of a human vegetable. And if you remember that troubles happen just when you think you have everything under control, then, obviously, you will strangle your bottom after the session by hanging a coil of rope around his neck just for fun. In general, if you don’t remember that the neck is inviolable, then sooner or later you will need the manual “How to get rid of a corpse.” Moreover, I will not feel sorry for you at all, since I warned you.

Rule two.
Never tie self-tightening or slip knots. They, you know, drag on. And in the best case, you will have to cut your valuable rope to free the lower one from the bonds. In the worst case, consult a doctor so that he can remove the bandage that has cut into the body and restore impaired blood circulation with a minimum of negative consequences.

Rule three.
Never place rope on joints. A little higher I said that a tight rope interferes with blood circulation. This is far from the worst that can happen. If you pinch a joint (always assume that you will pinch it), you will get damaged ligaments as a bonus. In addition, large nerve and lymph nodes are located in the areas of the shoulder, elbow, hip and knee joints. They are easy to damage and difficult to restore. Therefore, never put a rope on your joints, especially! - Do not put stress on these areas. Especially axillary and inguinal.
I have already mentioned the anatomical atlas. Once again, I highly recommend this fascinating read. Moreover, it is easier than ever to find it.

Rule four.
Watch the bottom's limbs. They are the ones most susceptible to a variety of pressure injuries. Impaired blood circulation, damage to ligaments, plus compression of nerves in the limbs are just a piece of cake. Therefore, carefully monitor the condition of the bound person’s limbs. If they change color (turn purple, or even turn blue), remove the harness. If they get cold, remove the harness.

Rule five.
Always have a rope cutting tool on hand. Your session can go wrong at any moment. For example, your bottom may suddenly panic. Or you suddenly discover that he is no longer able to move his fingers. And this will happen exactly when you have already spent half an hour tying knots. You will need the same amount for untying. It is clear that the rope will need to be mercilessly cut, but how will you do it without a tool? Unless you gnaw with your teeth. Therefore, always have on hand or sharp knife, or powerful scissors.

Rule six.
Tits and pussies are inviolable. It sounds rough, but it’s better remembered. Never expose female breast and male genitalia under strain. You can put a strap on them, which will put slight pressure, but nothing more. Even if it seems to you that there is no serious danger, just imagine that you have castrated your model. Or because of you, her breasts will forever remain hanging at the waist.
I wouldn't want something like this to happen because of my stupidity. And you?

Rule seven.
The rope burns. Try to quickly pull the rope through your clenched fist. I bet you won't like it. But at least you will have an idea of ​​what your bottom feels when you pull the ropes too quickly over his naked body. Shibari generally doesn't like being in a hurry. And the possibility of leaving a serious burn, I hope, further encourages you to take your time.

Rule eight.
Be careful about moles. Horror stories about a tumor developing from a mole are not always horror stories. Therefore, try not to damage or tear off the mole. And then you never know. And in general, a mole looks prettier and more piquant than an abrasion. By the way, this rule also applies to papillomas, candylomas and similar skin formations. And go see a dermatologist. It won't hurt.

Rule nine.
The spine is not for knots. Never place knots on the spine. Place them to the left or to the right. Even if you don’t intend to put a serious load on these nodes, it doesn’t matter. God saves man, who save himself.

Safety for an immobilized person.
Rule ten.
Before the session, find out the health status of your partner. Find out how good his blood circulation is. Does he suffer from high or low blood pressure? Is it easy for his limbs to go numb? Did he have any joint injuries? Finding out all this after the fact will be bitter and offensive. Because without knowing what not to do with this person, you will cripple him.
Bondage is strictly contraindicated for people suffering from diabetes or varicose veins.
If a person has circulatory problems or gets numbness in their arms and legs easily, tie the ankles and wrists last. And use minimal harnesses on your limbs.
In case of increased blood pressure Do not place the person upside down. And when lowered, do not leave it in a vertical position for a long time and do not move it abruptly from pose to pose. Better put it down right away. One more detail: if you have low blood pressure, it is not recommended to conduct a session on an empty stomach. This doesn't mean you have to eat until you're sick. Just eat a piece of bread or a piece of chocolate or something like that.
If your bottom has injured joints, do not put stress on them. Either leave the affected limb free, or fix it in the most natural and comfortable position for it.
Take your significant other's health condition with extreme seriousness. And be prepared for surprises. The only injury I encountered in my practice was due precisely to the fact that I did not know about the tricky anatomical feature of the lower one. There is such a thing - “narrowed wrist syndrome”. This trouble lies in the fact that some nerve endings pass in the wrong place and are therefore easily vulnerable. This also happens on the legs, but it’s called something else. As a result, the lower one suffered damage to the radial nerve. It took two months to restore the mobility of the arm, and we still got off happily. But if I had noticed in advance that his hands easily went numb, everything could have been different.

Rule eleven.
Fixing limbs in awkward positions can lead to injury. Try sitting cross-legged for at least ten minutes and you will understand what we are talking about. Of course, this applies not only to the legs, but also to the arms. Prolonged fixation of folded arms is dangerous.

Rule twelve.
Use a safe word. Since sadomastic practices are partly a game, provide the rules of the game for the conditions for exiting it. For example, your bottom gets special pleasure from resistance. Can you tell by eye when he is resisting for fun, and when the jokes are over? This is why a safe word was invented. It can be anything, but it is best that it has nothing to do with the context of your session. For example, several of my friends use the word “mushroom pickers.” One day they went out to play in nature at the height of the mushroom season. I think there is no need to explain further.
If you hear a safe word, stop the session immediately.

Rule thirteen.
Keep track of the time. If you apply the bandage seriously, then in any case, at least a little, it will impede blood circulation. So don't get carried away. Don't leave your partner in the same position for too long. Change the harness, give the bottom one a chance to warm up. Moreover, I recommend that you limit your first sessions to half an hour. Not more.

Rule fourteen.
Do not leave a tied person unattended. A bound person is more defenseless than a baby. He may choke on his own saliva, he may fall unsuccessfully, he may choke on his tongue. But who knows what he can do? Man is the king of nature because so much is available to him. When you bind someone, the responsibility of making sure that they do not harm themselves with their powerful abilities falls entirely on you.

Rule fifteen.
Position your bottom in stable positions. If you need it to stand, secure it to some additional support point. If you want him to sit, sit him in a way that makes sure he's comfortable and won't fall off. And best of all, put it down. You can't fall off the floor.
We use our entire body to maintain balance. Arms, legs and a tail, if anyone has one. If you take away a person’s ability to wave his arms and step over his legs, he will not maintain a vertical position for long. And it will fall very loudly at full height. Do you need this?

Safety in altered states of consciousness.
Rule sixteen.
If it seems to you that everything is in order, but to your bottom that everything is not, then he is right, not you. And vice versa, if your bottom thinks that he can withstand more, and you think that’s enough already, you’re right. In other words, always assume the worst possible outcome.

Rule seventeen.
Sobriety is the norm. Never have a session while under the influence of alcohol or drugs. If you are a motorist, then you understand well what a drunk is, on which a person’s health, and often life, depends. If you are a pedestrian, then just take my word for it: alcohol is appropriate when you are responsible only for yourself. In other cases, the cost of your mistake can be very high.

Security is beyond categories.
Rule eighteen.
Have a first aid kit on hand. A sadomasochist's first aid kit must contain ammonia; hemostatic agents; sedatives, for example, valerian; remedies for high blood pressure; cardiac drugs; bandages.

Rule nineteen.
Never try to hang people unless you have been taught how to do so. I won’t even comment here. Just follow this rule and your bottom will live a healthy and happy life.

Rule twentieth.
Bottoms, when going to a session with a person you don’t know very well, leave someone you know a phone number that they can call and check that everything is okay with you. Tell them where to look for you if you suddenly go missing. Remember like the Lord's Prayer: when you are tied up, you will depend solely on the goodwill of the one above.

Unfortunately, despite all the warnings and cautions, we still often learn safety precautions the hard way. I really hope that this does not apply to you personally and that this chapter will help you avoid many serious problems.
Let it be so.

Rope bondage for beginners
The role of the sub in a bondage session

If the bottom in a bondage session served only as a mannequin on which macrame made of ropes or a cocoon of film is wound, it would obviously be easier for the top to adapt the mannequin to his purpose. Or rubber Zina. Or Teddy bear. But the Upper Ones, with enviable tenacity, continue to decorate living people with their compositions. Apparently, they are attracted not only by the temperature of the treated surface, which is 36.6 degrees Celsius, but also by something else. And since this “something else” exists, let’s try to figure out what it is, how to increase it, and what we, the bottoms, can do in order to provide a feeling of deep satisfaction from bondage fun for both the Upper partners and the ourselves.

Confidence
Bondage is one of the BDSM practices that involves bringing the lower one into a helpless state, therefore, requiring enormous trust between partners. You will say that injury can be caused by inept flagellation or an awkward puncture, and you will be right. But if we assume (God forbid, of course) that you run into a psycho who intends to chop you into slices, then, without being fixed, you can at least try to resist, attract attention, for example, by knocking out a window, and so on. In a bound state, you are deprived of this opportunity, even in theory.

But confidence in the adequacy and competence of a partner, quite sufficient for most sadomasochistic games, is not enough to practice bondage. Man is mortal, and mortal suddenly. Close your eyes and imagine the bad. In general, of course, it’s better not to do this in vain, but once, it’s possible. Imagine that you are chained to a radiator, or lying, or even worse, hanging, unable to move and crawl to a knife, telephone and other means of salvation, and your partner has fainted. Obviously seriously and for a long time. For example, he has a diabetic, or epileptic, or vascular, or some other crisis, and he urgently needs medical help. Introduced? - then it’s better to hold off on bondage. Or limit yourself to something relatively innocent, such as ropes secured in front or wrists and ankles cuffed. You can’t imagine this, the picture is not drawn, no matter how hard you try? in your imagination, does your partner first, at the very least, free you, and only then bend himself? - Everything is fine. You trust this person enough to allow yourself to be tied down.

It is better to understand the answer to the question of whether to play or not to play this game before you start. In order not to mislead your partner, not to spoil his and your mood, to avoid unnecessary stress and even, possibly, injury.

What else needs to be done before the first knot is tied?

Natasha Rostova's first ball
Inform
In order for the Top to competently plan a session, he must know quite a lot about his bottom. This is especially true for a new, unfamiliar partner. A stranger precisely as a model for bondage: a peck of salt that you previously ate together on a different basis, of course, gives him a fair amount of information about you as a person, but says nothing at all about how flexible your hands are. If you are not absolutely sure whether this or that circumstance is important for bondage, whether you have already mentioned it before, and if you have mentioned it, then in the context in which the partner drew attention to your message specifically in relation to bondage, it is better repeat again.

The top one needs information about your health, both in general and in particular. In general, this is data on chronic diseases, past injuries, etc. For bondage, the characteristics of blood circulation, the condition of the veins of the extremities, large peripheral nerves, joints and ligaments, the degree of flexibility of the joints, old fractures, dislocations, tendon ruptures, frequent muscle spasms, not fully healed external tissue damage, fresh scars, etc. are especially critical. ; illnesses of cardio-vascular system(including dystonia), respiratory organs, digestion... in general, it turns out that everything is written in your medical record, even if you don’t have one. I understand that all this seems excessively tedious, but even my limited horizons, formed by observations of myself and other lower ones, the work of my Master with whom I saw, allows me to judge how amazingly diverse human bodies are, their features and, alas, their sores. In addition, tell your partner how you feel right now: perhaps you have a headache, your blood pressure is off, you ate something wrong and are feeling sick, or, on the contrary, you ate just the right thing, but a lot and recently, you have PMS or menstruation, etc. - all this matters too. Don't try to keep silent about a problem for fear that you won't be contacted because of it. It is very possible that they will tie you up, they will simply choose a method that will not harm you.

We already agreed at the very beginning that a person consists not only of trembling flesh, but also of an immortal soul. How is it going with her, again, in general and in particular? Perhaps you are claustrophobic, or afraid of heights (important when hanging), or prone to panic reactions, hysterics, or fainting due to nervous experiences? What mood are you in right now: playful, restless, depressed, peaceful? What kind of bottom are you - obedient and passive or, on the contrary, violent, prone to fighting or getting out of bondage? Maybe you easily fall into a state of deep subspace and “switch off,” or maybe nothing like this has ever happened to you?

All of these countless factors determine how the Top should treat you. And one more piece of advice: don’t try to decide for him. Don't command, don't lead. Your job is to report, and he will draw conclusions himself. That's why he's the Upper One.

Reach an agreement
I never cease to be amazed at how different people are. Not at all like me. The partner who will connect you now is not the same as those who did it before him. And you are different from those whom he knitted before you. Therefore, what for one goes without saying without any words, for another is completely savage. I'm here in nightmare The thought of getting out of bondage does not occur to me. But I know people who, on the contrary, do not understand why they are tied up, if not so that they try to free themselves. Hence, the need for a number of preliminary comprehensive and clear agreements on the rules of the game is obvious.

First of all, we are talking about safe words or stop signals. They can be treated differently: some categorically consider them necessary, others reject them with indignation. Make sure that you understand the situation in the same way as the Top Partner understands it and, if you have agreed to use a safe word (signal), you both know it well and interpret it the same way. A breakdown in communication here most often occurs when one of the partners considers the stop signal an imperative to urgently stop the influence, and the other as simply an indication that something is bothering the lower one. My nose is itching. If you decide to abandon the brake light as such, this does not mean abandoning the alarm system altogether. Agree on the signs. In this way, you will save each other from groundless worries out of the blue, and save precious seconds in case something goes wrong.

Pre-session agreements also include agreeing on the context of the session. If it occurs as part of a disciplinary game, or if you are involved in a D/s relationship with your partner, it is advisable to find out in advance whether you can (and should) move, speak, and even more so resist or extricate yourself from bondage, whether it is worth helping to remove rope when they untie you. Don’t forget that your behavior, which is inadequate compared to your partner’s expectations, can easily ruin all the pleasure for him. And it is completely ridiculous to allow such mistakes out of ignorance.

Get ready
When the Upper One grabs you by the mane and drags you to knit without further ado, then, of course, you won’t have much preparation. But if you have a few minutes before the start of the session, use them to take the milk off the stove, turn off your mobile phone and ICQ, perhaps change clothes, and also, if necessary, go to the toilet, take a quick shower, etc.

He said - “Let's go!”
So, you've been tied down. What should you do next? The answer is simple: relax and have fun. This is an activity that everyone indulges in to the extent of their depravity, therefore it is quite difficult to recommend anything. Here are the most general considerations that come to mind.

• Don't get distracted or distract your partner. You will tell him a fresh joke later.
• Do not be shy. After all, your Top, most likely, is not an abstract artist, which means he will not put you in a position in which it is unpleasant for him to look at you. Yes, yes, I mean, he really doesn't pay the slightest attention to the bristling fold of excess fat. A secret: if the Upper One is a man, then most likely he simply does not see her. Men's vision is designed in such a way that they perceive the big picture, not the details.
  However, abstract artists' vision is even more interesting.
• Behave naturally, whatever that means for you. I want to cry? - cry. Are you excited and your hips are swaying back and forth on their own? - that's good. Do you feel like moaning and screaming? - for God's sake. Do you retreat into yourself, immerse yourself in meditation? - let the yogis envy you. In general, as long as you behave within the limits of what is permitted, and the Upper One knows what these or those reactions of yours mean, do not think about whether you are acting “correctly” or not.
• Don't imitate African passion or fainting from unearthly pleasure if this is not happening. But try to still “get high.” Listen to yourself, your body, your mood, feelings and experiences. Getting to know and mastering the joys of bondage is gradual, and with each subsequent session the pleasure becomes sharper and comes sooner, since as you gain experience you begin to understand where things come from and how they are expressed. However, not everyone likes any sensual practice. I know people who don't like to kiss. Likewise, there are plenty of people in the world, even BDSMers, who don’t like bondage. And there is nothing bad here.
• Art requires sacrifice. You may well experience discomfort and even pain. And my nose itches. Nothing, be patient. In the end, you must justify the proud title of a pervert!
• At the same time, learn to distinguish normal, safe discomfort from a real traumatic situation, and if you suspect the occurrence of the latter, immediately signal! Familiarity with safety precautions and a good knowledge of the symptoms will help you with this. possible complications. So boring medical texts and boring warnings apply not only to Upper, but to you too.
• Look after yourself. Of course, monitoring the condition of the lower one is the responsibility of the Upper one, but he cannot, having tied your hands, constantly watch to see if you are cold or blue. He will only do this from time to time, otherwise he will never be able to tie, say, his legs again. In addition, there are difficulties that have no immediate external symptoms at all. The sooner the Upper One's attention is drawn to the problem that has arisen, the sooner he will be able to respond to it. Of course, being in a helpless state, being exposed to influences (after all, this could be the influence of more than just a rope or something else that has fixed you), it is quite possible, while experiencing subspace, it is quite difficult to maintain the ability to adequately assess sensations. And you don't have to. But if you can, it’s better to try. By doing this you are helping the Upper One. You can learn something. For example, I somehow manage to move my fingers and hands almost continuously to make sure they are moving normally (my wrists are my weak spot), even if I have trouble understanding who I am and where I am.
• Signal. It’s very good if you can inform the Upper One not only about problems, but also from time to time give a sign that everything is okay with you.

“Cut.” Thanks to everybody, you're free.
It may be that after the session you will need help. I don’t mean medical help, this is a special article, I want to believe that it will not be needed. We are talking about human help: to wrap you up (a slight chill is a fairly typical reaction to the removal of bondage), to sit with you, to bring you something if your legs are not yet strong enough due to excess feelings. Do not hesitate to ask for such help. I hope that abusing your helplessness and chasing Verkhny around like an errand boy is ugly, as you yourself understand.

When some time has passed and all the passions have subsided, tell the Upper One about what you yourself noticed: unusual reactions, discomfort or, conversely, delight and bliss - in general, there is no unnecessary information here either. This will help him enhance the effectiveness of subsequent actions and eliminate shortcomings, if any. But that’s later, with a fresh mind.

In the meantime, don’t be lazy to say thank you to him. In the ways you know how. He needs your support, care and affection no less than you need his. He worked and was tired. He worried and felt. He made you feel good, he made you feel beautiful. Thankfully, you can never express too much gratitude.

Rope bondage for beginners
Psychology and construction of a bondage scene

Psychology

It's time to talk about the darkest and most obscure side of rope bondage: psychology.

Think about it: why do you like bondage? Regardless of whether you are the top or the bottom. What specifically attracts you to bondage?

Aesthetics? Do you like the way the rope lies on a person, or the way the rope weaves around your chest specifically? But external aestheticism can be achieved with ordinary clothes. And the aesthetics of rope alone is not enough to feel like a bondage artist. The naked aesthetic is more of a fetish, right? So there is something else. What?

Are you attracted to the immobility and helplessness of a tied person? Yes, this is probably closer. Such a reason can no longer be attributed to fetishism, which means it is more significant, more real.

But let's try to move a little further: why do you like it when your partner is immobilized? Or why do you like it when you are helpless in front of your partner and are completely at his will? And, keeping in mind that we are talking about erotic bondage, why is all this so strongly connected to sex?

The answer is simple, although unexpected for many. The reason is fear of sexuality.

I bet at this point half of the readers (men, of course) will be very indignant: “We, dominant alpha males, are not afraid of anything or anyone! What nonsense!”
At the same time, think about whether you have difficulty expressing your feelings? Don't you prefer to remain silent once again, instead of telling the woman you like about how much you like her? Chances are you're introverted, right?

By the way, the same picture applies to the lower ones. The only difference with the top ones is that the top ones prefer to look for solutions themselves, while the bottom ones trust others to find solutions.

Moreover, the picture can be further expanded: the fear of sex is inherent not only in bondage artists - don’t think that we are the only ones (poor, or advanced - depends on the point of view). And not only sadomasochists suffer from this uh... I won’t say “illness”, since this trait - fear of the opposite sex - is inherent in absolutely everyone. I emphasize: everyone. Absolutely.
We, men and women, are too different, too different from each other. We think differently, feel differently, even see the same thing - and then in different ways. And we, being so different, desperately need each other. And fear of the fundamentally incomprehensible, which cannot be broken, which cannot be forgotten, is a very human trait.
And the difference between us - sadomasochists, bondage artists and others is only in the specific way we cope with this fear.

Have you noticed how widespread the stereotype of men belittling women is in vanilla? All these “caps”, “nipples”, “chicks” and other disparaging names are nothing more than a psychological defensive reaction. If it is impossible to understand a woman, it is necessary to humiliate her. Humiliation does not frighten a man.
Women treat men in exactly the same way, only their methods are slightly different. “Men are assholes,” “you’re a wimp,” “I gave you my best years.” If a man is incomprehensible, then let him be guilty, let him justify himself. A man who makes excuses is not scary to a woman.

All methods of personal, intimate interaction between a man and a woman are ways of overcoming the fear of such an incomprehensible opposite sex.

But why bondage? And How?
Let's figure it out.
Now I will draw a psychological portrait of a bondage artist, then I will detail it into two - upper and lower, and then we will see what follows from all this, what practical conclusions and recommendations.

First: obviously, the bondage artist is fundamentally not satisfied with the generally accepted methods of interaction with the opposite sex. The bondage artist is not satisfied with the constant mute confrontation, expressed in more or less demonstrative disregard for the opposite sex. Otherwise he wouldn't be a bondage artist, right? It could easily be realized through “caps” and “men are assholes.”

Second: the bondage artist expresses his relationship with his partner in actions. Not in words, not in declarations, not in demonstrations, but in concrete actions: take, lift, move, put down.

Third: in the relationship with a partner (during the session), the bondage artist exists within the framework of the “parent-child” psychological template. According to this pattern, one partner (“child”) is helpless, irresponsible, and completely dependent on the other. The second partner (“parent”) is attentive, caring, and has unlimited power.

Important: in the psychological pattern “parent-child”, implemented through bondage, the “parent” is certainly kind. In a bondage session there is practically no place for influences psychologically associated with punishment: spanking, spanking, a strict, accusing tone. For the “parent” there is another pattern of behavior that is characteristic of flagellation, spanker and disciplinary sessions: a strict parent. These two patterns are antagonistic and, when entering a session in which it is intended to use both bondage and active influences, it is necessary to know in advance what exactly will be the leitmotif of the session and what - auxiliary element.
Since this manual is dedicated to bondage, the “pattern” is important for us, top bondage artists. kind parent" This is what a bondage sub needs.

Building the scene

Psychological portraits The upper-lower bondage pair is approximately outlined. Which practical recommendations Is it possible to extract from them?

· The top, entering the session, must be absolutely prepared for anything. You are the parent. You have no right to betray the trust of a child. You do not have the right not to cope with a difficulty if it arises. You must not panic, you must not experience visible difficulties.
The easiest way to achieve a feeling of complete confidence in your abilities is to plan the course of the session in advance. Don’t be lazy to think in advance about how you will enter it, what you will do during it, and how you will get out of it. Including in emergency cases. Consider several options for the flow of the session. Consider several entry and exit options. Consider how to shorten the session if necessary. Think about how to extend it, if necessary. Play the session in your head several times, rehearse it in advance. This does not mean that you need to build a clear lapidary plan and not deviate a single step from it. The more options you think about, the easier and more confident you will be able to improvise during the session. Your lover expects ease and confidence from you. Don't disappoint him. Prepare yourself.

· Don't forget that you are a parent. Treat the bottom like to my own child. With all the attention and care you can muster. Always remember that your “child” is absolutely helpless without you. All he can do is feel. The rest is up to you. Totally on you. If your “child” sneezed, at least wipe his nose. Better yet, at the same time, try to understand why he sneezed, why, what the consequences could be for him, how to avoid them and how to eliminate the cause in order to avoid recurrence.

· Let your date know in advance that during the session he can do whatever he wants. Laugh, cry, chat, be silent, test the strength of the harnesses, get comfortable in them. Everything. He is a “child”, he does whatever comes to his mind. Limiting him so that he is able to do only what you need is your task, not his.

· Both “parent” and “child” are roles. You need to tune in to them. You will be surprised how easy it is to get into character if the “child’s” hands are tied from the very beginning of the session. It’s also much easier for the bottom one. Hands are tied - that's it, the roles are divided, the session has begun.

· Views are very important. If you are not a natural actor, you may find it difficult to get into character while being watched by a sub. Blindfold the bottom one. Now no one sees you and you can freely be whatever you want. Moreover, it’s easier for the bottom one. If you don’t blindfold him, then most likely he will close them himself: he is not only helpless, but also does not orient himself in the world around him; he is a “baby”.

· Tactile contact is very important in a bondage session. The “child” communicates with the “parent” through touch, through the feeling of the parent’s hands. Do you know how to communicate with cats? Do you know how to calm animals with your hands? This is how you will interact with the bottom.

· Music can help you a lot. In a situation where most channels of interaction with the outside world are blocked, hearing begins to play a very important role. It is music that will help you set the overall emotional outline of the session.

· During the session, you will have to independently determine what your boyfriend is ready for and what he is not. If you need feedback from him, ask simple, short questions that can be answered with a “yes” or “no.” The need to formulate and express thoughts will knock your bottom out of the role and it will be very difficult for him to return back.

· During the session, you should not speak harshly or loudly. Until your bottom has completely entered the “child” state, the environment should be calm and peaceful. Once you have succeeded in getting into the role, one of your tasks is not to provoke someone to fall out of it.

· Once you tune in to complementary roles, you will feel that you can do anything with the bottom. That nothing is forbidden. There is nothing obscene or indecent. Don't be alarmed by incestuous allusions - your “child” is an adult.
If the bottom one believes that you do not have the right to everything, then you were mistaken and mutual adjustment did not happen.
If you enter a session just so that everything is possible for you, unfortunately, you are not a top bondage artist. There's no point in starting.

Rope bondage for beginners
Practice

In this section I have provided “storyboards” of the main, basic harnesses. Over time I will add some additions to it, but not much. In my opinion the proposal “ ready-made solutions” kills fantasy. But, on the other hand, you need to know the basics. In general, decide for yourself whether you need it, or you yourself will come up with something much more interesting.
And I remind you: don’t expect any special revelations. All these schemes are already on the Internet.

Rope bondage for beginners
Nodes

Where should I start with the practical part? Of course, you believe that now, from the very first lines, they will tell you how to tie a person, fixing his left leg to his right hand, and his right leg through his back behind his ear.
I admit, I myself would be interested in talking about this, especially since I still don’t have the slightest idea of ​​how this can be done, and, most importantly, why it is needed. If I could tell you, and maybe I’d figure out what’s what. But you have to start with a rather boring topic. From nodes.
Quite a lot of books have been written about knots, what they are, what they are not, what they are used for and what they are not used for, including in Russian. Personally, I prefer the reference book “ Sea knots” Lev Skryagin. The knots described in this guide are enough to completely upholster a hefty sailing ship. What can we say about the one and only person who fell into our bondage clutches.
Practice shows that for rope bondage there is more than enough four simple and one not very simple knot. I will give descriptions of these knots according to Skryagin’s reference book, highlighting Skryagin’s descriptions in italics, and I will additionally outline their undoubted benefits for bondage and the scope of their application in our craft.

The most common knot in our business is the knot with the semi-militant name “simple half-bayonet”.