F and Tyutchev fountain analysis. IV. Analysis of the poem "Fountain". Analysis of the work "Fountain"
The child received his primary education, as was customary in noble families, at home. Fedor’s mentor was a poet who translated world classics, whose name was S. E. Raich.
The future poet spent his youth in a big city, in Moscow, as he became a university student. In 21, the educational institution was completed. Fedor was offered a job at the Ministry of Foreign Affairs. That is why he had to leave his homeland. Fedor went abroad, receiving a modest position at the embassy in Germany, namely in Munich. These were interesting years in the life of the young diplomat. Being a secular man, Tyutchev quickly integrated into European society, could always carry on a conversation and was very popular with women.
Fyodor Ivanovich began creating his poems as a teenager. At that time, the young man treated his activities as a hobby. Many biographers consider the works “Fountain” to be his debut. It was at this time that Fyodor Ivanovich’s notebook was sent from Germany directly into the hands of Alexander Sergeevich Pushkin. Reading Fyodor's works delighted Pushkin and he immediately ordered the publication of the works in his magazine, called Sovremennik. The aspiring poet shortened his full name to “F.T.”, so readers did not immediately recognize the author’s first and last name.
Tyutchev received real recognition much later, only after he returned to his native land. This was in the fifties. It was at this time that a popularly recognized poet named Nekrasov, and later Turgenev, Fet, and Chernyshevsky, began to admire him. Many were able to read his works only after the publication of a special collection in 1954.
This publication made Fyodor Ivanovich Tyutchev a professional writer, despite the fact that until his last days he remained in the service of the state. In the 58th year of the nineteenth century, he was appointed chairman of the Committee on Foreign Censorship. He held this post until his death. The funeral of the great poet Fyodor Tyutchev took place in 1873 on the territory of Tsarskoye Selo, and later the grave was moved to St. Petersburg.
Features of the creativity of Fyodor Ivanovich Tyutchev
Tyutchev has many poems that glorify landscape lyricism. The entire early period of his work was filled with poems on the theme of natural nature and the relationship between man and the world around him. The author's works were not always categorical; there was a philosophical direction. Fyodor Ivanovich was significantly different from his contemporaries of that time, for example, Apollo Maykov and Afanasy Fet. He created masterpieces that not only celebrated the beauty of nature, but also provided a logical explanation.
All this suggests that the works created by the young diplomat, which he published in various printed publications under various pseudonyms during his formation, were rather restrained in nature. Tyutchev's poems also contain a certain amount of romance. This was influenced by the author’s multiple acquaintances with German poets in the first half of the nineteenth century. It was their special creativity that influenced the formation of his life principles. After such communication, the author began to consider himself, to a greater extent, a representative of Russian romanticism.
The works of Fyodor Ivanovich in the early period were distinguished by a certain down-to-earth quality. Numerous beautiful epithets concealed a deep meaning with a philosophical direction. The author shows the reader and in a unique way draws a parallel that connects man and nature. Many poems lead the reader to the conclusion that everything that exists in the world is subject to a law that is common to all. This idea is fundamental in the poet’s works. A striking example of a work with this direction is a poem written in 1836, called “The Fountain”.
Analysis of the work "Fountain"
At present, it is very difficult to say how the poem actually originated and at what time. Nobody knows under what circumstances it was written. It is possible that Fyodor Ivanovich simply observed the structure (the fountain) and tried to unravel the mystery of its existence. It should be noted that it is for this reason that in the first part of the work there is a description of a fountain, which is surrounded by all sorts of metaphors.
Tyutchev is famous for his comparisons, which are present in various of his poems. The masterpiece "Fountain" also has many such features. For example, a fountain is compared to a particularly living cloud. It creates clouds of smoke, but at the same time it shimmers against the background of the sun’s rays with almost all the colors of the rainbow.
The author is not interested in the beauty of the design itself, but in the power that is hidden inside the fountain, causing the stream of water to rise up. Fyodor Ivanovich expresses his assumptions from the point of view of a classic common man in the street. In his opinion, something inexplicable is happening in the fountain; some force incomprehensible to man is capable of both sending and returning a stream of water. This is especially visible in the lines where water and strength are compared to fire-colored dust.
The laws that mark the physiology of the phenomenon are known to almost every person. That is why it will not be particularly difficult to explain the reason for this fluid movement. In the work “Fountain” Tyutchev is not going to give an explanation for this phenomenon, since he does not want to deprive himself of the special inexorable charm that the described structure gives him. Under the murmuring water, emitting exquisite beauty, the author comprehends the essence of everyday things. This phenomenon suggests conclusions that are quite unexpected.
The semantic load of the poem "Fountain"
In the poem "Fountain" Fyodor Ivanovich addresses his fictitious interlocutor. He says that you should not greedily strive for the sky, because at a certain moment in life a person’s strength can and will fade away. And the fundamentals of life can almost completely reverse. This is emphasized by the expression in the work when an invisible persistent ray is refracted and thrown down from above.
It seems that the author is writing a kind of report, and points out that all people sooner or later pass through a certain milestone in life. Tyutchev notes that the resemblance of a person to a fountain is undeniable. The conclusions drawn by the poet in a unique way convince the creator himself. Both living and nonliving things in the world are subordinated to one specific force, which is capable of controlling everything in the world at a high level.
A person can only submit to such phenomena, because everything in the world has long been decided for him. People can only try to reach certain heights. Fyodor Ivanovich Tyutchev says in all sorts of ways and expressions that at a certain moment the time will come when the ascent will be replaced by a sharp fall. He notes that the more rapidity is tracked during the rise, the faster a person will fall, just as splashes from a fountain fall down to the ground.
Have you ever tried reading poetry? Not just to pass a literature test, but for your own pleasure? Many intelligent people have long noticed that short lines of poetry often contain unique encrypted messages about the meaning of existence and our place in this world. Even for those who frankly do not like poetry, it would be useful to think about why this suddenly appears in the literature anthology for the second hundred years in a row: “F.I. Tyutchev. “Fountain”? And what is so special about these sixteen lines?
Mysteries of Fyodor Tyutchev
In classical Russian literature of the 19th century, the poetry of Fyodor Ivanovich Tyutchev stands somewhat apart from its main directions. Her images and means of expression are complex, multidimensional and ambiguous. In order to understand the full philosophical depth and power of Tyutchev’s poetry, it is not enough to simply read it. One has to work hard all one’s life to comprehend the meanings and images of a poet’s works. Tyutchev's "Fountain" is impossible without the context of the entire work of this man. And this creativity is inseparable from his life and biography. And if we continue the semantic series a little, it becomes obvious that the biography and fate of the poet is inseparable from the fate of Russia.
Analysis of Tyutchev's poem "Fountain"
Let's think about what the great Russian poet wanted to convey to us with his rather small work. At least to a first approximation. One must have a very high degree of naivety in order to not see or feel anything more in describing how the jet of a fountain flies up, and then, under the weight of gravity, having reached its limit, is refracted and falls down. Just silently admire how skillfully the reflections of the sun's rays on the stream of water are described. But the thoughtful reader, having paid tribute to the poet’s skill, will not complete the analysis of Tyutchev’s poem “Fountain” here. Behind the depiction of this phenomenon in the mentioned work one can easily see the global struggle of elements and energies. The impulse to revolt and its doom to defeat. The inevitability of “everything returning to normal,” according to Old Testament principles. And an attempt to overcome the initial determinism.
F.I. Tyutchev: "Fountain". The history of the creation of a masterpiece
For a deeper understanding of the poem in question, it should be correlated with the time and place where it was created. This work was published in 1836 in Germany, where the author was in the diplomatic service. And in his work, among other things, he conducts a direct dialogue with the German romantic poets of that era and the idealist philosopher Schelling. And a simple analysis of Tyutchev’s poem “The Fountain” leads many to believe that in this way the poet responded to Friedrich Schelling’s teaching about the “one world soul,” which amazed many of his contemporaries. According to the ideas of the Russian poet, it is equally embodied both in the inner life of a person and in the Nature surrounding him.
Russia and Europe
It is often customary to sneer at those Russian patriots who prefer to love their Motherland from afar and at the same time live in Western Europe. But the simple fact that the great Russian poet Fyodor Ivanovich Tyutchev lived a significant part of his life far from his homeland does not at all mean that he is remote from Russian life. Tyutchev lived for a long time in the capitals of Europe, mainly due to the nature of his diplomatic service. The theme of Russia and thoughts about its fate are dominant in the poet’s work. What a comprehensive work - the verse "Fountain" by Tyutchev! It tells not only about a single world soul. These sixteen lines also relate most directly to Russia. There are two opposing forces in the poem - the desire to rise and gravity.
At the forefront of the dispute
For several centuries now, the driving force behind the development of Russian thought has been the philosophical conflict of two principles. The desire to destroy everything and build something new on the resulting ruins and the desire to stand in the way of social progress at all costs and leave everything as it was before. This is a dispute between Western liberals and soil conservatives. A thoughtful analysis of the poem “Fountain” by Tyutchev makes it possible to detect in it the presence of this confrontation between two historical intellectual concepts. Fyodor Ivanovich Tyutchev, without a doubt, was a representative of a conservative way of thinking. He was very skeptical about the possibility of changing something in Russian destiny. He was often remembered several decades after his death, when wars and revolutions were approaching Russia.
About the fate of a poet in public service
For a long time - and quite justifiably - the fate of the poet in Russia has been considered tragic and doomed to destruction. But the biography of Fyodor Ivanovich Tyutchev, apparently, is an exception that confirms this rule. He lived a long and quite prosperous life. He made a brilliant career in the diplomatic and civil service. His conservative beliefs were entirely aimed at preserving the existing state foundations. The poet was heard and in demand during his lifetime. His services to Russian statehood were widely recognized in monarchist circles. The poet rose to the rank of actual privy councilor and was awarded many orders and regalia. For the last fifteen years of his life, he headed the Censorship Committee, that is, he had the power to determine and decide what the Russian public should read and what it should be protected from.
Look like a living cloud
The shining fountain swirls;
How it burns, how it fragments
There's damp smoke in the sun.
Raising his beam to the sky, he
Touched the treasured heights -
And again with fire-colored dust
Condemned to fall to the ground.About mortal thought water cannon,
O inexhaustible water cannon!
What an incomprehensible law
Does it urge you, does it bother you?
How greedily you strive for the sky!..
But the hand is invisible and fatal
Your beam is persistent, refracting,
Throws down in splashes from a height.
Analysis of Tyutchev's poem "Fountain"
The early period of Fyodor Tyutchev’s work is directly related to landscape poetry. However, unlike his contemporaries such as Afanasy Fet, Tyutchev is trying not only to capture the beauty of the world around him, but also to find a logical explanation for certain phenomena. Therefore, it is not surprising that the poems of the young diplomat, which he publishes under various pseudonyms, are philosophical in nature. However, they also contain a fair amount of romance, because in the first half of the 19th century Tyutchev lived in Europe and met many German poets. Their work has a certain influence on him, and very soon he begins to consider himself one of the representatives of Russian romanticism.
Nevertheless, Tyutchev’s works during this period are distinguished by a certain “down-to-earthness”, because behind the beautiful epithets a deeper meaning is captured. The author constantly draws parallels between man and nature, gradually coming to the conclusion that everything in this world is subject to a single law. A similar idea is key in the poem “Fountain,” written in 1836. Today it is difficult to say exactly how this poem was born. However, it is possible that the author simply observed the fountain, trying to solve its mystery. It is for this reason that the first part of the poem is descriptive and replete with metaphors.
Thus, the poet compares the fountain to a “living cloud” that “whirls” like smoke, but at the same time shimmers in the sun with all the colors of the rainbow. However, the poet is interested not so much in the beauty of the fountain as in the force that makes the water stream rise up to a certain limit. Then, according to the poet, from the point of view of a simple layman, something completely incomprehensible happens, since some invisible force returns the flow of water, which “is condemned to fall to the earth like fire-colored dust.”
Of course, no one has canceled the laws of physics, and finding an explanation for such a phenomenon is not difficult. However, Tyutchev is not going to do this, because he does not want to deprive himself of that elusive charm that the most ordinary person gives him. Under the measured murmur of water, the poet tries to comprehend the essence of things and comes to very unexpected conclusions, which he sets out in the second part of his poem.
In it, he finds an undeniable similarity between a fountain, which he calls an “inexhaustible water cannon,” and a person whose life is so reminiscent of a stream of water. Indeed, starting our earthly journey, each of us climbs up an invisible ladder. Some people do it slowly and hesitantly, while for others such an ascent can be compared to a powerful jet of a fountain released under pressure. Addressing an invisible interlocutor, the poet notes: “How greedily you strive for the sky!” However, sooner or later the moment comes when a person’s strength runs out and life turns back. “But the invisible hand of your fatal beam, refracting, throws you down in splashes from above,” the author emphasizes. At the same time, he is aware that almost all people go through this life milestone. Therefore, their resemblance to fountains seems undeniable to Tyutchev. And such conclusions only convince the poet that both living and inanimate nature are subject to a single force, which governs the world at the highest level. We can only obey, because everything has long been predetermined. You can try to reach invisible heights or consider yourself invincible, but sooner or later the moment will still come when the period of ascent gives way to fall. And the faster a person rose up, the faster he would fall, like the spray of a fountain.
Analysis of F.I. Tyutchev's poem "Fountain"
Poem by F.I. Tyutchev's "Fountain" was written in 1836. I could attribute it to Tyutchev’s philosophical lyrics. Having creatively adopted the philosophical and aesthetic ideas of the German romantics, Schelling’s teaching about a single “world soul,” the poet was convinced that it finds its expression both in nature and in the inner life of man. Nature and man form a deep unity in Tyutchev’s lyrics, the border between them is mobile and permeable. From this point, comprehension of the elements of nature is contemplation of oneself in nature. That is why the two-part composition of Tyutchev’s poem “Fountain” is full of deep meaning. The first part is the play of a fountain, which swirls like a “living cloud.” He is beautiful, great and light, he strives to touch the “cherished heights,” but “is condemned to fall to the earth” as soon as he touches the sky. The element of water in the form of a fountain is just a part of nature, and parts cannot comprehend the whole. The second part is a comparison of the water element of the fountain with the water cannon of “mortal thought,” which also rushes to the sky, but the “invisibly fatal hand” refracts the “ray” of the “inexhaustible” “water cannon.” This is how Tyutchev’s rejection of self-affirmation and self-will of the individual, so characteristic of many movements of romantic literature, is born. The imaginary greatness of human thought is just a fun created by the Higher Principle. The “water cannon” of thought is like a fountain created by man for his own amusement. The poet's irony is obvious:
About mortal thought water cannon,
O inexhaustible water cannon!
What an incomprehensible law
It urges you, it torments you!
Associated with a generally holistic view of the world of nature and man is the absence of everyday prosaic details in the poem. Here there are elements of the odic tradition of the 18th century, solemn, majestic speech. However, this tradition appears in Tyutchev in a romantically transformed form, peculiarly crossed with the form of a fragment characteristic of German romantic lyricism. The severity of the collision of such heterogeneous genre traditions in the poem “Fountain” emphasizes the contradictory consciousness of modern man, the multidimensionality and complexity of existence. Here we observe oratorical, didactic intonations, ornate and prophetic pathos. Tyutchev's epithets and metaphors are unexpected and unpredictable, conveying the play of the natural forces of water and the power of reason. The element of the fountain is likened to flame: “flames”, “wet smoke”, “rising like a ray to the sky”, “falling down like fire-colored dust”, “condemned”. This is very reminiscent of both the story of Icarus and the story of Prometheus. The word “ray” is repeated twice in the poem. “The ray of the fountain” and the “ray” of “mortal thought.” This comparison emphasizes the futility of human pride’s aspirations to comprehend Heaven as the Highest Beginning. Note that Truth appears in the form of a hand, and the definition “invisibly fatal” emphasizes the inevitability of falling to the ground, despite the persistence and greed to comprehend the sky with a mortal ray. The poet will combine the image of natural elements and a tragic reflection on human life. This gives the poem a symbolic and philosophical meaning, and Tyutchev’s thought acquires expressiveness, living figurative flesh. The water element in the poem is humanized, spiritualized. It is internally understandable and close to a person. Like a living, thinking creature, she swirls like a “living” cloud. The poem addresses the reader: “Look,...”. The author acts as a visionary teacher who gives an object lesson to his students. The first part is a contemplation of an example from the life of nature. The second part is a conclusion and comparison about a person’s life. I really liked the poem by F.I. Tyutchev "Fountain". I would especially like to note the poet’s unprecedented freedom of thinking, improvisation, spontaneity and naturalness of expression of feelings and thoughts.
